![]() You will pull your hair out trying to figure out what’s going on, but just know that you probably get the “how,” even if you’ll never be able to anticipate the “why.” Again: these guys play dirty pool, so while they probably flatter themselves into thinking that they’re just really good at misdirecting viewers, they’re most charming when they’re brazenly chucking all plausibility out the window with oodles of gob-smackingly illogical twists.Īlso, Jigsaw is something of a return to form for the seven-years-dormant film series since the kind of unfathomable twist ending that closes out the best and/or most frustrating Saws. There are two subplots in the movie, and they have a single mutual concern: how is John Kramer alive and well enough to torture people in an undisclosed barn(?), and what will Detective Halloran ( Callum Keith Rennie) and his medical examiner colleagues Logan Nelson (Matt Passmore), and Eleanor Bonneville (Hannah Emily Anderson) do to stop somebody who’s already dead? The solution to both questions is both more obvious than you think, and flat-out too hard to imagine. This is funny since Jigsaw‘s winningly bonkers twist ending is the crux of the film. That death was confirmed in Saw IV, which begins with a thorough autopsy of Kramer’s body. The first thing you should know before you see Jigsaw is that John Kramer died at the end of Saw III. This comparatively tamped-down story is a remarkable change from the series’ earlier entries, given how previous sequels frequently pause events just to cram in more flashbacks and expository dialogue (more on this shortly). All viewers really need to know to understand what’s going on in Jigsaw is that John “Jigsaw” Kramer, an engineer who died from brain cancer ten years ago (according to this film), has resurfaced and he is now torturing and killing strangers again for the sake of meting out the kind of justice that the police or the legal justice system simply cannot. ![]() There’s also a significantly streamlined backstory here. Jigsaw features far fewer - and shorter - scenes of forgettable meat puppet characters screaming, groaning and crying after their bones are broken, limbs split or blood drained at a shockingly fast rate. And, to be fair, co-directors Michael and Peter Spierig ( Daybreakers, Predestination) and co-writers Pete Goldfinger and Josh Stolberg ( Piranha 3D, Sorority Row) do half-heartedly downplay some of the more tedious elements that have come to define the earlier Saw movies.įor starters, the “torture” aspect of the fatal death-trap “tests” that serial killer John “Jigsaw” Kramer (franchise staple Tobin Bell) puts his victims through is taken down several notches. Her role in ABC's raunchy summer soap Mistresses is one such example.Jigsaw, the seventh sequel in the seemingly deathless Saw horror series, enters theaters with a lot of baggage. Vaugier is a versatile actor who is famous for her roles as fiesty female protagonists. Her film credits include Saw II, Saw IV, Secondhand Lions, 40 Days and 40 Nights, It's Christmas, Carol!, and Absolute Deception. She has had starring roles in Painkiller Jane, John Carpenter's Master of Horror, and WB comedy My Guide to Becoming a Rock Star. Additionally, she had guest roles on The Mentalist, Big Shots, Supernatural, Veronica Mars, Smallville, One Tree Hill, and Human Target. ![]() She appeared alongside Piper Perabo in the recurring role of Liza Hearn on the USA crime series Covert Affairs. Vaugier is also known for her role as Detective Jessica Angell on CSI:NY. In Hallmark's Big Sky River, she will be seen playing the role of Tara, the female protagonist who romances Kavan Smith's Boone Taylor. Emmanuelle Frederique Vaugier is a Canadian film and television actress best known for her role as Charlie Sheen's ex-fiancée Mia on award-winning CBS comedy Two and a Half Men (2003-2015).
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